![]() ![]() There isn’t a hard and fast rule for this (or any of these for that matter), but these are frequencies worth examining first to see if you hear any issues.Īlthough you do want a solid low end, even a kick drum can have too much of a good thing. There are usually a couple of trouble spots: Between 200 Hz-500 Hz (which can sound “tubby”), 600 Hz-1 kHz (“boxy”) and 2 kHz-4 kHz (“pointy” or “clicky”). As long as you understand that it’s typically the most important - and therefore should be the loudest - thing in your mix, you’ll find it easy to maintain the other instruments around the vocal in a way where everything is complemented. ![]() ![]() It’s good practice to think of your vocal track in rock or pop music as your compass. Drums are often a good place to start, but even if you begin with drums, always make sure that the vocal is present while mixing, so that the drums don’t ultimately overwhelm the vocal in a war of ever-increasing levels. You’ve tracked all your tunes, you’ve laid down the final harmony vocals, the last solo is in the can… it’s finally time to mix! Let’s start by taking a look at your mix and deciding which instrument to mix first. This post on mixing drums and percussion in your home studio was excerpted and adapted from Mixing With iZotope, a guide produced by our friends at iZotope. From kick drum compression techniques to EQing your snares, we’ve put together some tips for mixing drums that will help you get the most out of your recording. ![]()
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